When twelve-year-old Lady Lilah
decides to disguise herself and sneak out of the palace one night, she has more
of an adventure than she expected – for she learns very quickly that the
country is on the edge of revolution. When she sneaks back in, she learns
something even more surprising: her older brother Peitar is one of the forces
behind it all. The revolution happens before all of his plans are in place, and
brings unexpected chaos and violence. Lilah and her friends, leaving their old
lives behind, are determined to help however they can. But what can four kids
do? Become spies, of course!
Lilah
is a member of nobility and the king’s niece in the semi-magical, fictional
kingdom of Sartorias-deles (which readers may or may not recognize from
Sherwood Smith’s other book, including Crown
Duel and Sartor – I, for the
record, do not because I have not read them). However, her high position
doesn't stop her from jumping to join the revolution of the people, who are
tired of taxes and over-exploitation. The book is split into three sections
that are basically the brewing rebellion, the rebellion itself, and the
consequences of the rebellion. It's a pretty long book, so it's hard to
summarize much more than that. Lets just say she has an older brother deeply embroiled
in the whole mess, and she doesn’t just spend the whole time hiding away from
the danger.
So
first, I have to say that it didn't start out very promisingly. In essence,
Lilah sneaks out of her castle dressed as a scruffy boy by the name of Larei
for, apparently, the un-elaborated-on pressing desire to "see life outside
the castle." Then, oops! She just happens
to stumble across a group of kids (her age, of course) who not only are pumped
about a revolution, they blab about it to her, this unnamed "boy" who
they just met. "Larei," of course, goes, "Cool!" and
promises to come back again.
My
favorite scene, however, is when her older brother sees her out of his window,
and comes to talk to her and explain how he is actually helping to lead the
rebellion, he's sorry they've never been able to show their "true
selves" to each other before this conversation, and he really thinks they
can change (cheesy music here) the lives of everyone for the better. All this,
but a bit more jumbled up. Then he asks Lilah, in essence, "wanna
help?" And without even thinking about it, she goes, "Ooh, fun!
Okay!"
Don’t
get me wrong, I know nobles and even children can really care about a
rebellion. It’s just that Lilah didn’t face any doubts about this, or about
betraying her own uncle. To her it’s basically a game, and while she comes to
realize it’s serious later on, she still never regrets or double thinks her
allegiance to the sometimes dubious efforts to rid the country of its king.
Still,
don’t think I hate the book. I really did have an enjoyable few hours reading
it. The plot still interested me enough to keep reading, and I was rooting for
a happy ending – but at the same time, I could sense deep down how everything
was headed (I didn’t read ahead or anything, it was just the kind of book that
has a predictable ending) so it seemed a bit . . . long. And rambling. And a
teeny bit (or a lot) contrived. Right around the middle of the book, after the
rebellion has started, I seriously had to ask myself what editor hadn’t chopped
through the book a bit more. I mean, I kid you not. They go hide out for a
while in a magical place where by some unexplained phenomena people can fly.
And it’s just part of life there. It truly didn’t add anything to the story at
all (basically, some of the houses they visited were up high), and it left me
thinking that a ten-year-old had outlined the story.
I later learned that Sherwood
Smith wrote The Spy Princess when she
was young, and after publishing many other books set in Sartorias-deles, she
decided to publish this one. It’s very impressive for such an early endeavor,
but it certainly smells like an early attempt. A very, very impressive early
attempt that’s actually not that bad. But compared to the big leagues, it has
some major drag in enough parts that you’ll be rolling your eyes once or twice.
I’d say give it to younger readers for some of the (not really that plentiful)
flights of fancy that is really best geared to ten-year-olds, except for the
fact that it’s a revolution and – ahem - I’ll just point out the French Revolution and say revolutions aren’t
exactly kid-friendly. It’s not gory, and bad things are usually viewed after
the fact, but still too heavy for the same age group who delights in main
characters getting the ability to fly. Thus the problem with this book.
All in all? It’s a fine book that I read in a few
hours (it’s got some heft to it at 400 pages, though, so slow readers might
want to steer clear altogether), had some fun with, and as soon as I finish
reviewing I’m positive I’ll forget it. I say read it, but go in looking for a
scrape-the-surface read, the kind you look for when you really don’t want any
more Hemingway-esque books. It’s the kind of book that people who like
rebellions or empowered girl protagonists are going to like, but it’s not going
to offer anything revolutionary (pun not int – okay, yes, that pun was intended).