Restart by Gordon Korman, 2017

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Chase's memory just went out the window.

Chase doesn't remember falling off the roof. He doesn't remember hitting his head. He doesn't, in fact, remember anything. He wakes up in a hospital room and suddenly has to learn his whole life all over again . . . starting with his own name.

He knows he's Chase. But who is Chase? When he gets back to school, he sees that different kids have very different reactions to his return.

Some kids treat him like a hero. Some kids are clearly afraid of him.

One girl in particular is so angry with him that she pours her frozen yogurt on his head the first chance she gets.

Pretty soon, it's not only a question of who Chase is--it's a question of who he was . . . and who he's going to be.

From the #1 bestselling author of Swindle and Slacker, Restart is the spectacular story of a kid with a messy past who has to figure out what it means to get a clean start.

(256 pages)

Do you know, I was supposed to be studying for my AP exams all day today. That was the goal, at least, until that little yellow package from Scholastic showed up on my doorstep. Once I pulled out my brand new ARC of Restart, the newest Korman novel, then my day was doomed. I dropped everything and devoured the entire thing in about two sittings (the one break consisted of my trying to get back to work, failing, and then shrugging and picking the book up again).

I don't know what it is about Gordon Korman, but his books always suck me in. Perhaps it's because I've been reading them for so long now, his distinctively funny yet deep writing style makes me nostalgic and lets me pretend that I'm a little kid again and not a high school senior preparing to head off to college. Perhaps its simply because of the intriguing storylines or because he always takes the story the way I'm hoping. Maybe it's a combination of all of those things.

Because on the surface, Restart is not the most amazing book I've ever read. I mean, its premise is awesome–a bully who's lost his memory and is nice now? Sweet!–but it's also incredibly unrealistic. Take it from the girl who was supposed to be studying AP Psychology all afternoon. And a lot of the elements that make up Restart have shown up in previous Korman novels. I was especially reminded of No More Dead Dogs and The Chicken Doesn't Skate, because all three books have elements of social blending, with kids from wildly different clubs and interests coming together in a combination of sports and theater/filmmaking/science (respectively). I also noticed a few character archetypes, like the filmmaker addict and the main girl who starts out hating the protagonist, and the slightly spacey fangirl chasing after the protagonist. All of these characters show up in at least two of the three books I mentioned, and some of them in others besides.

But you know what? I just don't care. Gordon Korman does middle schools books well. And I love the elements he pulls together, and Restart is actually a really good book. Because you see, I adored No More Dead Dogs and The Chicken Doesn't Skate. To this day, they still rank on my list of favorite books ever. If Korman wants to revisit some of his greatest successes and borrow a few devices, then I am totally okay with that.

And besides, how could I not love the "bully with amnesia" angle? Realistic or not, it's played amazingly here. My main critique, honestly, is that we don't get enough details about Chase's ordeal. I would have loved much more time spent just on watching him adjust to life without any of his memories, and I wouldn't have even minded getting more medical mumbo-jumbo to explain why his whole personality suddenly shifted with the bump on the head!

Anyway, I'll stop the review here because I don't actually have my copy of the book anymore: my elementary-school-aged brother came into my room tonight, asked for Restart, and disappeared with it. And honestly, if that doesn't tell you something about the universal appeal of Korman's books, then I don't know what would.

[Update: Just thought you'd like to know that within the first two days of Restart being in the house, three of us read it: I finished it the first day, my brother borrowed it that night and finished it by lunch the next day, and my mom borrowed it that night and stayed up past midnight reading it (on the landing, because my dad kicked her out so he could go to sleep). Like I said, my family love Gordon Korman books.]

Disclaimer: I received an unsolicited copy of this novel from the publisher in exchange for an honest review.

Larger-Than-Life Lara by Dandi Daley Mackall, 2016

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This isn't about me. This story, I mean. So already you got a reason to hang it up. At least that's what Mrs. Smith, our English teacher, says.
But the story is about ten-year-old Laney Grafton and the new girl in her class--Lara Phelps, whom everyone bullies from the minute she shows up. Laney is just relieved to have someone else as a target of bullying. But instead of acting the way a bullied kid normally acts, this new girl returns kindness for a meanness that intensifies . . . until nobody remains unchanged, not even the reader.

In a unique and multi-layered story, with equal parts humor and angst, Laney communicates the art of storytelling as it happens, with chapter headings, such as: Character, Setting, Conflict, Rising Action, Climax. And she weaves an unforgettable tale of a new girl who transforms an entire class and, in the process, reveals the best and worst in all of us.

(176 pages)

I've been a long-time casual fan of Dandi Daley Mackall's books ever since I picked up a copy of her the first Winnie the Horse-Gentler book at a yard sale a few years ago. I was getting rather sick of horse books at the time because I was realizing they all had the same rather vapid and predictable plot lines, but the book reinvigorated my passion for horse novels. I also later loved Mackall's Starlight Animal Rescue series, which is connected to the Winnie books, and loved them even more. Mackall has a gift for blending realistic characters, hard facts about life, and inspirational messages all together and offering them to her readers in slim, engaging novels. That's why I leaped at the opportunity to review Larger-Than-Life Lara: it looked like a very different book than the other ones I'd read by Mackall, but I was pretty sure she'd still be able to pull off a great story.

And she did. I really enjoyed reading Lara, it felt kind of like a grittier version of The Hundred Dresses. Actually, now that I think about it, I would be surprised if Mackall got the inspiration to write Lara from Dresses. Since I always loved Dresses growing up, that is a very good impression for me to come away with.

The narration in Lara comes from Laney, who has to be on of the best narrators I've read in a while. She's writing the "true" story down the way her teacher taught her to, using all the tricks they learned in school. Every chapter is titled with exactly what it introduces (Villain, Setting, Dialogue, etc.), and Laney prefaces her plot devices or narration decisions with funny, candid explanations like this one:

Mrs. Smith says stories have a beginning, middle, and end. They should get told in a chronological order, which is a fancy way of saying making stuff happen like it did in real life, without jumping back and forth in time like some kind of time traveler. I tried to do that, which is why you can find words like first and next and then, if you go back looking for them in this story.

But I can't figure out how else to tell this one conflict without time traveling backwards. So Mrs. Smith, if you're reading this, I just apologize for this.

Isn't that just so cute? I don't know what it is, but I just really love this sort of fourth-wall-breaking narration style.

Anyway, moving on. Laney is a really great character, not just a fun narrator, and I definitely felt for her. The situation at her home is not so great (think three older brothers, no mother, and an alcoholic/likely abusive father), and she is constantly covering for her family at school and hiding her school life from her family. It's not good, at all, and I felt terrible watching her hold everything in. The focus in the end of the book, though, isn't really on her home life; it's on Lara and the way she was being treated at school. Now I haven't had much experience with bullying, but I thought it was absolutely horrible the way everyone treated Lara from day one. The minute she walked in the classroom door, people were calling her ugly names and making fun of her. That's despicable! If she's really that overweight, that's her parents' fault–or the fault of some disorder, maybe, I don't know–but it's definitely not her fault. She's ten years old, people! I don't know, fifth graders are just so barbaric sometimes.

As for Lara as a character, I never really felt like I got to know her that well. She seems sweet, and extraordinarily brave, but almost rather one-dimensional: we never really see Laney have a heart-to-heart with Lara and find out what makes her tick. There were honestly a lot of characters and plotlines whose stories I would have loved to see expanded, which is why I wish the book were a little longer. Barring an updated and heftier re-release of the novel, I'm hoping for a sequel sometime down the road. I think there's a lot of material in Larger-Than-Life Lara that Mackall could use to develop a whole series, actually. It could be, I don't know, "The Paris, Missouri series." Or something catchier. I'm not really a title developer. But anyway, I definitely enjoyed Larger-Than-Life Lara and I'm glad I had the chance to read it. If you've read it, comment below and let me know what you thought!

Disclaimer: I received a complimentary copy of this novel from the publisher in exchange for an honest review.