The Traitor's Game by Jennifer A Nielsen, 2018

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Nothing is as it seems in the kingdom of Antora. Kestra Dallisor has spent three years in exile in the Lava Fields, but that won't stop her from being drawn back into her father's palace politics. He's the right hand man of the cruel king, Lord Endrick, which makes Kestra a valuable bargaining chip. A group of rebels knows this all too well -- and they snatch Kestra from her carriage as she reluctantly travels home.

The kidnappers want her to retrieve the lost Olden Blade, the only object that can destroy the immortal king, but Kestra is not the obedient captive they expected. Simon, one of her kidnappers, will have his hands full as Kestra tries to foil their plot, by force, cunning, or any means necessary. As motives shift and secrets emerge, both will have to decide what -- and who -- it is they're fighting for.

(400 pages)

Any of you who have followed this blog for long know that I am obsessed with Jennifer Nielsen's books. I've been snapping them up since The False Prince first came out, and I've loved all the series and standalones she's produced since then (especially A Night Divided!).

In some ways, The Traitor's Game is fairly similar to Nielsen's earlier works. She is clearly fascinated by royalty/nobility, unwanted arranged marriages, and unfortunate predicaments brought on by circumstances outside the main characters' control. All of these elements have been in at least one of her earlier works, and make appearances again in The Traitor's Game. I can also see personality similarities between Kestra, the main character of The Traitor's Game, and Jaron from the Ascendance trilogy and Nic from the Praetor Wars series, though my understanding (which is, granted, limited by only having the first book so far) is that Kestra has more brute-force cunning and self-control than Nic, but that she doesn't have the sheer genius that made Jaron's plots always seem so perfectly, and effortlessly, planned out months in advance; she does make cunning choices at times, but it's clear that she is struggling to figure out what she should do as she goes along and that her deceptions are thus much more sponatenous than many of Jaron's.

Did I love The Traitor's Game as much as I love Nielsen's earlier works? Absolutely. In fact, I'd rank it right up there: behind The False Prince (because nothing can beat my first love!), tied with The Scourge, and right ahead of the Praetor Wars. That's right, I ranked it higher than the Praetor Wars. Why? Mainly because of the romance. I always thought that writing romance was Nielsen's one weak spot–I could never really believe the romance between the main character and their love interest because it seemed like they would just look at each other a couple times and then suddenly they were supposed to be suppressing deep feelings for each other. In The Traitor's Game, however, that insta-love vibe was much milder. Things do progress pretty quickly between the main characters (which I struggled with at first, when Simon had so many reasons to hate her), but I grew to love both of them and their beautiful mess of a relationship as the book went on; the romance scenes were done very believably. I think having the narration switch between both Kestra and Simon, showing both of their outlooks, helped quite a bit with this.

Before I end on a positive, I do want to address the only real downside to the book (besides the occasionally cringy romantic subplot): it felt, in parts, like I'd read the book before. A large part of this might just be that I'm very familiar with Nielsen's work and writing style, but I think that the book also borrows quite a few tropes and plot twists from other stories in the genre. I don't think this is necessarily a bad thing, in fact I think the whole series could turn out to be an awesome riff on The Sword in the Stone, but I suppose the whole "medieval-type quasi-magical war-torn kingdom with a princess who doesn't know the truth about herself" storyline has been done so many different times that it can never feel completely fresh.

But that's the beauty of a Jennifer Nielsen book: it can take something that's been done to death, like hidden princes or Roman heroes or life in East Berlin, and craft it so perfectly that it becomes one of the best in the genre. And that's what she has done again.

The Traitor's Game is such a gripping, intense read that I couldn't put it down: I literally stayed up until 2:30 am to finish it the night it arrived. I had to know what happened at the end of the book–and I can't go into details, but I absolutely love it. The plotting was awesome because it went through the usual rising action, climax, denouement . . . and then it just kept going, when I was sad because it felt like it was about to end, through a second climax and into a satisfactory, if frustratingly awesome, ending. The set-up for the sequel is amazing, and I simply can't wait to see where things go from here. I don't know how I'll wait all the time until the next book in the series comes out!

Disclaimer: I received an unsolicited ARC of this novel from the publisher in exchange for an honest review.

The Nutcracker Mice by Kristin Kladstrup, 2017

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Hidden in Saint Petersburg's famed Mariinsky Theater are the world's tiniest ballet fans: the Mariinsky mice, including Esmeralda, a rising dancer in the Russian Mouse Ballet Company. Despite being unable to control her tail, Esmeralda has just been assigned the lead role of Clara in a ballet debuting at Christmas: The Nutcracker. But when she learns that the new ballet features mice as villains, her excitement turns to horror: the mice of Saint Petersburg will never come to see such a production. Meanwhile, nine-year-old Irina is convinced that the mice she's seen in the Mariinsky -- the mice her father, the custodian, is supposed to exterminate -- are not only fans of the ballet, but dancers themselves. No one will believe her, so it falls to Irina to help save the mice everyone else considers vermin . . . and perhaps to help Esmeralda ensure the future of the mouse company. Sweet and inventive, Kristin Kladstrup's ballet fantasy features artwork by beloved illustrator Brett Helquist, old-fashioned drama, and just a touch of holiday magic.

(336 pages)

This is the sort of cozy book I would have devoured as a little girl. There's something so appealing about a story set in a far-off country (in this case Russia) during a far-away time (1892) that features anthropomorphic creatures (ballet-dancing talking mice!). Add all the dancing and ballet details to that, plus the one human girl who suspects the truth about the mice, and it's even more absorbing. In addition to all that, the scenario of mice preparing to perform The Nutcracker during its first human performance adds a delicious familiarity and Christmas feeling to the story because I attended performances of The Nutcracker almost every year when I was small.

Thus, before I even try to analyze The Nutcracker Mice objectively, I have to just say that I fell in love with the simple magic the story offers. After so many YA novels and adult nonfiction books, I needed to reading something so simple and pure as The Nutcracker Mice. It felt like a breath of fresh air.

Now, as for the story itself. First you have to get past the implausibility of the idea that mice are not only intelligent, human-like creatures who put on elaborate productions using the music played during the human performances, but also that all the theater mice are trained to read and understand both Russian and French. For some, I suppose that could be a pretty big hurdle; as for me, I counted it as part of the story's charm. I thought it was interesting that Esmerelda is an adult in the story because normally children's books feature protagonists who are in middle school. It made the (pretty slight) romance much stronger, in my opinion, and also made Esmerelda's adventures much more above-board and legit–she wasn't lying to any parents or sneaking out after hours, for example. It was also a little disconcerting, though, because I kept forgetting she was older until random moments when something would remind me.

I also really liked the bits of the story about Irina, the girl who spots Esmerelda practicing her ballet moves one day. She's written very realistically, and the drama surrounding her father's job is very well done.

Honestly, I have a hard time being very objective about The Nutcracker Mouse. It may not be perfect, or unpredictable, but it's a good solid book that I enjoyed and that I know for a fact I would have been completely in love with even a few years ago. If you know a kid with a fanciful imagination, then The Nutcracker Mouse would be a wonderful present for them–especially now while we're close to Christmas time!

Disclaimer: I received a complimentary copy of this novel from the publisher in exchange for an honest review.

A Plague of Unicorns by Jane Yolen, 2014

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From bestselling and award-winning author Jane Yolen, this new middle-grade fiction reminds us that heroes come in all sizes.
Young James, an earl's son, is a bit bothersome and always asking the oddest questions. When the last of his tutors quits, his mother sends him away to be educated at Cranford Abbey. But Cranford Abbey has its own problems.The Abbey is falling apart. Abbot Aelian believes he can save the abbey with his secret weapon: a recipe for golden apple cider passed down through his family for generations. One obstacle stands in his way-unicorns! Unicorns  with very sharp horns that happen to feast specifically on the golden apples.In this new middle-grade fiction by bestselling author Jane Yolen, young readers will learn about life in a medieval monastery and be reminded that heroes come in all sizes.
(192 pages)


I saw this on Booklook Bloggers and snapped it up, because it looked cute and fun and just my little sister's speed. I read it in one sitting, which took about a hour and a half, and thought it was largely just that: cute and fun and the kind of book my sister will like. It's got some great historical info mixed in with the usual fantasy fun. You can tell Yolen did her research on the time period before departing from actual history. My favorite nod to the past is the poem James and his sister come up with to remember the queens of England:

Tilda, Jane, Mary, Lizzy,

They all make me very dizzy.

I'm not exactly sure who "Tilda" is, but Jane is the often-overlooked three day queen who "ruled" before Bloody Mary (the "Mary" in the poem), and "Lizzy" is, of course, Mary's sister Queen Elizabeth I. I'm a bit of a history geek, so I thought it was fun seeing the book's references to actual history.

That said, this book has some major pacing issues. Literally the first half of the book focuses on world-building and backstory and character introductions. Those are all wonderful, necessary things to have in any engaging book - but this was the focus of the first half of the book. And that left only half of the (rather short) book to tell the actual events of the story.

And here we run into the next problem. Too many things happen in too few pages. We've got James' relationships with his sister, his mother, his uncle, and his absent father. We've got James' insecurities about being the next duke. We've got a rather (too) long bit where James is traveling to the Abbey. We've got the lukewarm welcome James receives from the boys living in the Abbey. We've got Brother Luke's lessons on caligraphy, with a bit of Latin thrown in. Then, of course, we've got the unicorns themselves and the long string of "heroes" who come to drive them away and inevitably fail. Which are important? Which are not? Who knows? There are too many characters and too many plotlines for a book this size.

Reallly, that's the issue. The book should have been longer. You could tell Yolen had a longer story to tell than she had pages to tell it with, and so she wound up spending the whole book setting up this wonderful premise and showing off her research of the era, then jumbling on a quick-finish ending last-minute when she realized she didn't have room to bring everything to fruition. I would have loved this book so much if she had made it longer and taken the time to flesh everything out. I would have called it a great kids book if she had snipped a bunch of the side plots, and evened up the pacing. As it is, all I can say is that it's a cute book with a great premise which will probably make kids blind to the pacing issues. Older readers will have a harder time ignoring all the "could have been"s.

Disclaimer: I received a copy of this book through BookLook Bloggers in exchange for an honest review.